Elizabeth Terhorst
Honors Contracts for IU Indianapolis Honors College
Honors Contracts are a huge part of being an Honors student at IUI. Each semester, we need an Honors class or an Honors contract to satisfy our Honors credits for the semester. Contracts give me the opportunity to dig deeper into the course material and truly understand what the professor is trying to get us to take away from the course. I truly believe that the contracts were the most valuable part of my honors experience because it was the main way I was able to achieve my honors credits; there just aren't as many traditional honors credit options for education and liberal arts students.

Three 2 One: Question and Answer Session
For my Issues in Teaching Writing class, I went out in the playwright community and interviewed a local writer, Mary Karty, about her play that aired at Indy Fringe Fest. Continue to the copy of my assignment below to see the Question and Answer session and to hear more about why going out into the community is important for teachers of specific concentrations. This was my favorite honors experience because it was where I was able to pull both of my degree paths together and bring an experience into my classrooms to better the education my students received regarding dramas and literature as well as writing.

Three 2 One director and writer
Mary Karty
Karty is a local writer on the Indianapolis scene who specializes in romance and theatre. Her love of the arts started at a very young age with her being in choir and show choir growing up. After getting her bachleors from Purdue, she had a brief stint in education where Karty came to realize she had to pursue her dreams of being a writer.
Since then, Karty has put on a few different productions, one of which being her hit play Three 2 One which has been adapted from its original title Unholy Trinity. Now, Karty is working on her next play from the comforts of her home in Indy and the support of the Indiana Writer's Center. For more infomation about Karty, please visit her website here.
Watch the entire interview here
Three 2 One Q/A Highlights
Bit about Mary Karty
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Karty is an Indiana and Florida native who is devoted to the fine arts. She is a playwright and a technical writer with multiple degrees from Purdue University. Many of her works have been performed at Indy Fringe Fest and other theaters in the Indianapolis area.
Karty agreed to the question and answer session due to the fact that Elizabeth Terhorst, the interviewer, is the child of Karty’s best friend. In high school and college, Karty and Terhorst’s mother would go to Rocky Horror Picture Show showings and heavily contribute to the audience participation. The two were known for being the life of the party, and a lot of Karty’s plays do bring aspects of that lifestyle into the forefront of the show. The play Three 2 One does have the same type of raunchy humor that Rocky Horror Picture does, but it is just a tad more family friendly, seeing that Karty’s father and aunt came to the show with Terhorst.
Overview of the play
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Three 2 One is a coming of age story following the mind, heart, and body of one young woman trying to find love in a modern world. We follow these conflicting aspects of the same woman as they fight over what to look for in a man and how the three can find someone to satisfy all their needs.
Questions
What is your writing process like?
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Karty: Oooooooh. [long pause] I come up with the concept first. I definitely have characters [as part of the concept], but I also have an outline. Because I am a technical writer [for my day job], I kinda tease that Three 2 One is kinda like an entertaining manual of how a woman falls in love. A very thorough [manual]. Mind, heart, and libido. I didn’t want to mess anything up. Not only that, but I only had 54 minutes. And I wanted to make it entertaining, so I made sure you paid attention. But I didn’t want to leave anything out.
But, I come up with the concept first. What story do I wanna tell? And what characters would illustrate that? And every story [I write] comes down to a different element of love.
Three 2 One is a coming of age story of a woman overcoming her shame, and it’s kinda wrapped up like a romantic comedy. But, it’s really about a woman trusting herself. It’s about knowing if she trusts herself, that she can make her own way in the world, that she can have whatever man she wants. If she really trusts her mind, she can follow her heart, and she can have her body’s desire.
What other forms of art do you like to create?
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Terhorst: I know you do a lot of writing, that’s your job, but what else do you dabble in?
Karty: Coloring. That’s when I really like to zone out and I have, they’re probably right around here because- If you wanted to make this really special, say that you did this in my office. And you can talk about how I used to have strawberry shortcake decor and what’s in my bookshelf.
These are the books that are not for [the] public. When you leave, look what’s in public bookshelf, and then look at what’s in these bookshelves. And you’ll see why this is not for public. [laughs]
Terhorst: Okay, okay.
Karty: [Laughs] So, especially for this play, I did a lot of dancing. I think that ties back into being a singer. I did a lot of dancing, getting into my body.
What do you think art is born from, from a writer’s perspective?
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Karty: Pain. [Laughs] In saving people like you from [pain]. Teaching. Making the road for future generations a little bit less. I wanna teach people how to love, and it shouldn’t be so hard. They say you gotta love yourself first. But sometimes, you have to make the best decision you can with the means at your disposal. Sometimes, you’re too young to love yourself first.
You just mentioned that people get busy. What else keeps you busy? What other things are you involved with outside of the fine arts and writing?
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Karty: I am a member of Indiana Writers Center and Indiana Playwrights. The two biggest things that have the biggest influence on my adult life are being part of choir, and being part of the writers center. It was the biggest impact of my career. When I moved back to Indiana, I was able to make friends, and I was able to reinvent myself. It’s how I was able to do Fringe.
My last question is: What do you wish someone had told you about playwriting when you were first starting out?
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Karty: I wish people would tell me more, now. I’m barely getting along.
Study. Study. Do your research and study. Go to plays, as many as you can, know the craft and practice your craft. I said that with such authority, didn’t I? STUDY! Don’t half ass it! It shows when you half ass it. [Laughs] It took me 20 years to be an overnight success, Lizzie.
Terhorst: Well, you made it. This is it. It is just like the fish you were talking about.
Karty: If this isn’t making it, I don’t know what else is.
Other info
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Karty is still writing and researching here in Indianapolis. She lives in Broad Ripple with her husband Matt and their dog Henry. Her presence in the scene and at the Indiana’s Writer’s Center is essential to the ebb and flow of what local writers are trying to do. Karty has touched many hearts and continues to do so. She plans to continue showing plays at Fringe and hopes to see you there.
Author bio
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Elizabeth Terhorst is from Valparaiso, Indiana and is currently a senior at IU Indianapolis getting a bachelors in Secondary English Education and English Literature
What This Experience Meant For Me
This was a very unique honors experience because it pushed me to go out into the local arts scene and interact with a lot of different things that I wasn't experienced with. Beforehand, I knew virtually nothing about theatre and what went on behind the scenes. But, professionally, I know I would have to teach secondary students the basics about dramas. It seemed like the perfect opportunity to gain first hand knowledge. What I didn't know I'd be getting was the editorial/journalistic experience. My professor wanted me to format the interview in a way that I could submit it to the Campus Citizen and get it formally published, but left that decision up to me. It's something I've carried with me into my professional life as I've moved into teaching full-time with my preschoolers, and I cannot way to help introduce more students to this side of the arts and share this new love I found.
Skills Gained From This Experience
Dramas
Diving head first the world of plays and learning more about the structure of a drama was so valuable to me as someone studying Secondary English Education and English Literature. Having mastery over your content area sets you apart from your peers in way I have a difficult time describing. What I learned from viewing Karty's play and getting more behind the scenes knowledge (as well as attending my first play) paid off when I got to my student interning and student teaching.
Interviews
Behind on the questioning side of an interview has truly helped me in job interviews as I've had to secure a full-time teaching position. Additionally, I learned so much about the editorial process as I worked with my professor to make the final assignment submission ready despite not working with the Campus Citizen in the end. Since then, I have had experience in having my creative work published. Being able to have that knowledge in my back pocket has been not only a confidence booster but shows that my quality of work is worthy of being seen; it's set the tone for what is to be expected.
Instruction
Implementing dramas into my teaching was hard, but it was such a fun experience. At the middle school level, I was able to design three four-week units that covered a variety of literature including an engaging, authentic way of getting students to engage with plays. At the high school level, I was able to revamp core aspects of how Merrillville High School taught the play Antigone by Socrates. I wouldn't have been able to do any of that without the intimacy I experienced being able to talk with Karty after seeing and researching her play.